Naked Lunch
Written by Oancitizen Saturday, 02 July 2011 18:22
|
Doug's Official Facebook Page | Purchase Premium Membership Now! Only available till the end of April! |
-
07.02.2011 - 20:00 | Jackass Mask
-
07.02.2011 - 20:06 | Cferra
-
07.02.2011 - 20:53 | Carteeg_Struve
-
07.03.2011 - 07:29 | FrankN.Stein
-
You were close though, Cferra. Real close!
On the plus side, I knocked over the Sun Sphere!
(Barton fink! Barton Fink!)
-
i recently discovered this show and i have to say i love it. great review i now have a new book i can read!
-
07.04.2011 - 16:55 | mrrubino
-
07.02.2011 - 20:56 | Wolfgar
-
07.02.2011 - 21:07 | Worst PlayerWell, Half Life 2 is definitely something I thought I would never see in Brows Held High. With all the weird stuff in the movie, that one piece of game footage shown actually made me have to repeat that section of the video because I was just so darn astonished. Well played sir, well played.
-
07.02.2011 - 21:11 | Bunnystick
-
07.02.2011 - 23:15 | brick mooncode
-
07.02.2011 - 22:16 | Xandos
I remember coming upon this movie on Hulu a few years back, searching for buggy movies (I'm an entomologist). Unfortunately I had started watching it while tired, and couldn't finish it, realizing I needed my brain active to really understand what was going on. I'm glad you chose this one, so I could see how it ended!
Excellent review and analysis! :D
-
07.02.2011 - 22:20 | Moon Spirit
-
07.22.2011 - 13:27 | Kevin.P.Edwards
Really? I feel like this is much more out there than Fear and Loathing. I mean I describe this movie in the way that I describe a Gilliam movie (which is actually a quote from FL in Las Vegas): "Buy the ticket, ride the ride."
The reason I say this one is more out there is that this seems to divorce itself from the function aspect of a story and focus on the form. I would say this is directly from the source materials each is using. Thompson had the drive of journalism, deadlines, and the schedule of politics forcing him into more of a plot than Burroughs. This movie completely leaves reality behind and says, "Fuck you, I'll do it live." Whereas Thompson never actually leaves reality but just brings his perceptions to it.
And seriously, I don't see what about a movie that contains typewriters that talk to you, get sexual pleasure from you using them, sexually attack you, ejaculate, and have there ejaculate get you high is exactly tame.
-
01.04.2012 - 20:27 | TheIrrehensibleTJ
-
07.02.2011 - 22:25 | Zydrate
-
07.02.2011 - 22:43 | archiveit
-
07.02.2011 - 22:46 | SomeRandomGeek
-
Oh Cronenberg, you never fail to truly terrify me to my very core. Seriously it's a shame more horror directors don't put this much effort into their monsters, this is what is found scary!!!! It's off putting to see such bizarreness in a film treated so casually.
Also, yeah I saw All that Jazz, I'm a film major, so yeah, I just shrugged...
-
07.02.2011 - 23:41 | Gibralter
-
07.03.2011 - 00:21 | Flaregun
Not counting the films in the Branagh Shakespeare retrospective and his occasional "off topic" shows like "Between The Lines", this is one of only two episodes of Brows Held High proper where I'd actually seen the work being discussed beforehand. As it happened, not long before first seeing the film I had read Naked Lunch, along with its Cliffs Notes.
Yes, there was a Cliffs Notes for Naked Lunch. They were really of only limited help in making sense of the book itself, but thanks to all the background & biographical stuff in they provided, they proved invaluable when I later saw the movie. I remembered the story of the "William Tell routine" & other details, and so understood right away that it was mostly a fantastical retelling of how Burroughs came to write the book along with a few bits of the book itself mixed in. This made all the weirdness a lot easier to deal with, knowing that there was this layer of (distorted) reality running through it all.
Interesting note: A film adaptation of Kerouac's On The Road is due to be released sometime later this year. This is another "Beat" novel that Hollywood has toyed with the notion of doing something with ever since it came out, with no plans ever getting to a serious stage because it, too, was considered "unfilmable". And as it happens, like the film (but not the book) Naked Lunch, the book (and probably the film) On The Road also contains characters who are very thinly disguised versions of Ginsberg, Burroughs and of course Kerouac.
-
07.03.2011 - 00:09 | kingleoIt wasn't too weird seeing the star of Robocop in a film that got the Criterion treatment considering that Robocop was one of Criterion's earlier DVD releases.
-
07.03.2011 - 01:09 | Trilaanus
-
07.03.2011 - 01:37 | The_Awesometeer
-
07.03.2011 - 05:05 | Medication102Probably because you're a douchebag...
-
07.03.2011 - 02:11 | Furore23
-
07.03.2011 - 03:55 | LimeGreenSquid
-
07.03.2011 - 05:51 | JJFryer
-
07.03.2011 - 06:00 | ichithe
-
07.03.2011 - 06:09 | Shinigami
-
07.03.2011 - 06:34 | ArtticWitchica
-
07.03.2011 - 07:56 | TrangleCFrankly, I am surprised by this review, considering how Oancitizen basically talked about nothing else than whether the movie is realistic or not in his "The Perfume" review.
With that I mean that "Naked Lunch" is a strange movie to praise for someone who disliked another movie for being about the unrealistic idea that a perfume could drive people crazy.
-
07.03.2011 - 09:44 | Oancitizen
Yes, but Naked Lunch has the benefit of being told by an unreliable narrator - all of the things Bill experiences can be explained as a drug-fueled hallucination. Perfume is established to be *our* world playing by *our* rules. Perfume is historical fiction - Naked Lunch is surrealist horror. That's why I took issue with it.
-
I see what you mean, but I still think you went a bit too harsh on The Perfume.
Historical fiction is full of unrealistic bullshit after all.
Robin Hood splits an arrow with his arrow, heroic knights kill a dozen evil Turks with a single blow, maidens are so beautiful that everybody who sees them immediately falls in love and their angelic singing makes the flowers bloom in mid winter and so on and so forth.
Even serious texts from medieval times up until modern times are full of such stuff.
People back then just had a different understanding of what is realistic and what "our world's rules" are than we have.
One could argue that taking that into account makes a movie about those times even more realistic.
In any case, the Perfume is simply a fairytale for adults.
Criticising it too much for being unrealistic means missing the point a bit, I think.
After all, there are many movies and stories that seemingly take place in our normal world except one thing being different and unrealistic. (Like... let's say Indian burial grounds bringing dead people back to life or sharks sinking mid sized fishing boats.)
Does that make all of those movies or books bad or stupid?
I just don't understand why you demand total realism from that particular fictional movie/book?
Do you generally not accept fantastic elements in historical settings?
-
07.03.2011 - 15:56 | Oancitizen
Alright, if you won't accept the historical fiction angle, then take these:
1) Because the fantastical elements seemed more camp than profound, making them ring hollow.
2) Because all the endless female nudity, ending with an orgy which seemed to focus on either hetero or lesbian couples smacks of a male director more keen on titiliation than enlightenment.
3) Because the film lightly touched on the themes of loneliness and indentity but seemed to play up the more gothic, sensationalist aspects all in the guise of intelligence.
Are those reasons satisfactory?
-
07.03.2011 - 08:04 | Nephilim